The Third Man by Carol Reed

Summary: In post-World War II Vienna, an American writer named Holly Martins arrives to meet his childhood friend Harry Lime, only to discover that Lime has been killed in a mysterious accident. As Martins investigates the circumstances surrounding Lime’s death, he becomes entangled in a web of deception, corruption, and betrayal.

Cast and Crew:

• Director: Carol Reed
• Writer: Graham Greene
• Key Actors:
  • Joseph Cotten as Holly Martins
  • Orson Welles as Harry Lime
  • Alida Valli as Anna Schmidt
  • Trevor Howard as Major Calloway
• Music Director: Anton Karas
• Director of Photography: Robert Krasker
• Producers: Carol Reed, Alexander Korda, David O. Selznick

Plot:

Set in the ruins of post-war Vienna, “The Third Man” follows Holly Martins, an American writer who arrives in the city after being invited by his friend Harry Lime. However, upon his arrival, Martins learns that Lime has died in a suspicious accident. As he delves deeper into the circumstances surrounding Lime’s death, Martins discovers a complex conspiracy involving the black market, racketeering, and betrayal.

Martins meets Anna Schmidt, Lime’s former lover, who is grief-stricken by his death. Despite her initial reluctance, Anna assists Martins in his investigation. As they uncover more about Lime’s activities, they realize that he was involved in a lucrative racket involving diluted penicillin, resulting in the deaths of innocent people. Martins is torn between his loyalty to his friend and his duty to bring justice.

The film reaches its climax in the iconic scene set in the sewers of Vienna, where Martins confronts Lime. The tension builds as Lime tries to escape, leading to a thrilling chase through the dark tunnels. In the end, justice is served, but at a great cost.

Themes and Motifs:

“The Third Man” explores themes of moral ambiguity, betrayal, and the consequences of war. The film presents a morally complex world where individuals must navigate through shades of gray. It questions the nature of loyalty and the lengths one would go to protect a friend, even if it means compromising their own principles.

The motif of shadows and darkness is prevalent throughout the film, symbolizing the moral ambiguity and corruption that permeate post-war Vienna. The use of Dutch angles and stark lighting adds to the sense of unease and tension, creating a visually striking atmosphere.

Reception and Legacy:

Upon its release in 1949, “The Third Man” received critical acclaim for its innovative storytelling and atmospheric cinematography. It won the Grand Prix at the Cannes Film Festival and was nominated for three Academy Awards, including Best Director and Best Cinematography.

The film’s legacy in cinema is undeniable. It is often regarded as one of the greatest films ever made, praised for its unique visual style and compelling narrative. “The Third Man” has influenced numerous filmmakers, and its iconic zither score by Anton Karas has become synonymous with the film.

Recommendation:

“The Third Man” is a must-watch for fans of classic cinema and those who appreciate atmospheric storytelling. Carol Reed’s direction, Graham Greene’s screenplay, and the standout performances by Joseph Cotten and Orson Welles make it a timeless masterpiece. The film’s exploration of moral ambiguity and its stunning visual style make it a captivating and thought-provoking experience.

Memorable Quote:
Harry Lime: “In Italy for 30 years under the Borgias, they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland, they had brotherly love, they had 500 years of democracy and peace – and what did that produce? The cuckoo clock.”