The Conformist by Bernardo Bertolucci
One-line Summary:
In Bernardo Bertolucci’s The Conformist, a young Italian man named Marcello Clerici is recruited by the fascist secret police to assassinate his former professor, who has fled to Paris. As Marcello embarks on his mission, he becomes entangled in a web of political intrigue, personal turmoil, and repressed desires. Set against the backdrop of 1930s Italy, the film explores themes of conformity, identity, and the destructive power of totalitarianism.
Main Cast and Crew:
- Director: Bernardo Bertolucci
- Writer: Bernardo Bertolucci (screenplay), Alberto Moravia (novel)
- Key Actors: Jean-Louis Trintignant (Marcello Clerici), Stefania Sandrelli (Giulia), Gastone Moschin (Manganiello), Dominique Sanda (Anna Quadri)
- Music Director: Georges Delerue
- Director of Photography: Vittorio Storaro
- Producers: Maurizio Lodi-Fè, Alberto Grimaldi
Plot:
Set in the 1930s, Marcello Clerici, a timid and emotionally repressed man, is enlisted by the fascist secret police to infiltrate and assassinate his former professor, Luca Quadri, who has become an anti-fascist activist in Paris. Marcello’s motivation for accepting the mission stems from his desire to prove his loyalty to the fascist regime and to bury his own dark secrets.
As Marcello travels to Paris with his wife Giulia, he becomes infatuated with Anna, the beautiful and enigmatic wife of his target. Through flashbacks, we learn about Marcello’s troubled childhood and his sexual confusion, which has shaped his need for conformity and acceptance. The film explores Marcello’s struggle to reconcile his political duties with his personal desires, leading to a tragic climax.
Themes and Motifs:
The Conformist delves into the themes of conformity, identity, and the allure of power. Marcello’s desire to conform to societal norms and gain acceptance drives him to betray his own values and commit heinous acts. The film also explores the destructive power of totalitarianism, as Marcello’s actions are dictated by a fascist regime that suppresses individuality and free thought.
Bertolucci employs various motifs throughout the film to enhance its themes. The use of mirrors symbolizes Marcello’s fragmented identity and his struggle with self-reflection. The recurring motif of shadows represents the hidden desires and secrets that haunt the characters. The film’s visual style, characterized by its lush cinematography and striking use of color, adds to the atmospheric tension and psychological depth.
Reception and Legacy:
Upon its release in 1970, The Conformist received critical acclaim for its innovative storytelling, stunning visuals, and powerful performances. It won the Golden Lion at the Venice Film Festival and was nominated for an Academy Award for Best Adapted Screenplay. The film’s exploration of political and psychological themes, as well as its stylistic approach, have made it a landmark in Italian cinema.
The legacy of The Conformist can be seen in its influence on subsequent filmmakers and its enduring relevance. Its examination of the dangers of conformity and the seductive power of authoritarianism resonates with audiences to this day. The film’s visual style, particularly its use of color and composition, has inspired countless filmmakers and cinematographers.
Recommendation:
The Conformist is a visually stunning and thought-provoking film that explores the complexities of human nature and the consequences of conformity. Bernardo Bertolucci’s masterful direction, combined with Jean-Louis Trintignant’s captivating performance, creates a haunting and unforgettable cinematic experience. This film is highly recommended for those interested in political dramas, psychological character studies, and visually striking cinema.
Memorable Quote:
“I’m not a hero. I’m a coward. A hero kills people. People that wish him harm. A hero is part human and part supernatural. I’m a coward. The most important thing in life is… is to love someone. The courage it takes to love someone.” – Marcello Clerici
