Ordet Summary

Artistic interpretation of themes and motifs of the movie Ordet by Carl Theodor Dreyer
Summary of “Ordet” by Carl Theodor Dreyer
One-line summary:

“Ordet” is a thought-provoking Danish film that explores faith, love, and the power of miracles within a rural family struggling with religious differences.

Main cast and crew:
  • Director: Carl Theodor Dreyer
  • Writer: Carl Theodor Dreyer (screenplay), Kaj Munk (play)
  • Key actors: Henrik Malberg (Morten Borgen), Emil Hass Christensen (Anders Borgen), Preben Lerdorff Rye (Mikkel Borgen), Birgitte Federspiel (Inger Borgen), Cay Kristiansen (Johannes Borgen)
  • Music director: Poul Schierbeck
  • Director of photography: Henning Bendtsen
  • Producers: Carl Theodor Dreyer, Tage Nielsen
Plot:

“Ordet” takes place in a small Danish village and revolves around the Borgen family. Morten Borgen, the patriarch, is a devout Christian who clashes with his sons over their differing beliefs. Mikkel, the eldest son, has become a rationalist, while Anders, the middle son, believes he is Jesus Christ. Johannes, Morten’s youngest son, has been institutionalized for his religious fanaticism.

The story unfolds when Anders falls in love with Anne, the daughter of a neighboring tailor. Despite their love, Anne’s father disapproves due to the religious differences between the families. Meanwhile, Inger, Morten’s daughter-in-law, falls gravely ill during childbirth. Morten, desperate for a miracle, prays for her recovery.

As tensions rise within the family, Morten’s faith is tested when Inger tragically dies. However, in a stunning turn of events, Johannes, who has escaped from the asylum, arrives at the funeral and performs a miracle, bringing Inger back to life. This extraordinary event leads to a profound transformation in the family’s beliefs and brings them closer together.

Themes and motifs:

“Ordet” explores themes of faith, love, and the power of miracles. The film delves into the complexities of religious belief and the conflicts that arise when different interpretations collide. It also examines the transformative power of love and the ability of miracles to challenge and reshape one’s faith.

The motif of resurrection is central to the film, as it not only refers to the literal resurrection of Inger but also symbolizes the spiritual awakening and redemption experienced by the characters. Dreyer masterfully weaves these themes and motifs together, creating a deeply contemplative and thought-provoking narrative.

Reception and legacy:

Upon its release in 1955, “Ordet” received critical acclaim for its powerful storytelling and profound exploration of faith. It won the Golden Lion at the Venice Film Festival and was nominated for the Palme d’Or at the Cannes Film Festival. The film’s impact on cinema has been significant, inspiring numerous filmmakers and earning a place among the greatest works of Danish cinema.

Recommendation:

“Ordet” is a cinematic masterpiece that challenges viewers to reflect on their own beliefs and the nature of faith. Its slow pace and contemplative tone may not appeal to all audiences, but those willing to engage with its profound themes will be rewarded with a deeply moving and thought-provoking experience.

Memorable quote:

“Anders: I am Jesus Christ. Morten: You are mad, my son. Anders: No, I am not mad. I am Christ.”

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